Ah, last night I was able to heal from The Day of The Ugly Cry (Oprah's term) at our daughter's house. She made such a fun evening of cheering for the Ducks (Going to the Rose Bowl!) turn into a medicinal healing time. I am forever grateful. Nothing like a little wine, yummy food and antics to bring a gal back to life. SHE is a great daughter. :o)
So, that being said, I decided to go through Mom's photo album from her beloved days with the SF Opera Company. I had to write her Obit yesterday and somehow forgot that she had been an early Merola Award winner, which was hugely prestigious in the Opera circles. Most of her pictures began in 1956 and were kind of blurry black and white snaps of people like Renatta Tibaldi when she sang Tosca. Mom was in her heyday and my parents were still married.
The first color photo is in 1959, a couple of years into her life as a single mother. She had done her own makeup according to the chart on the wall, down there in the bowels of the Opera House, AKA our home away from home. This is mom as one of the rabble in Carmen. Check out those requisite stage shoes. I just love the music of Carmen and I think that it is deep in my DNA.
Back in the day, before Los Angeles created an opera company of its own, the SF Opera Company used to put the whole shebang onto a train at the end of the season up here and send everybody and all of the paraphernalia down to the Shrine Auditorium. One year, before mom remarried (probably because she had nowhere to leave me) I had the privilege of going along for the ride, which was on the Milk Train, which seemed to stop and start all of the way down the coast. This was in 1960. We had a lot of fun with the whole gang of singers and musicians and got to go to Mexico and Disneyland and all of the great places. This was when mom actually enjoyed going somewhere.
This picture is of the two of us in 1960 and so I had to be just 10. I usually stood in the wings watching the operas (such a good little girl) and this time, her friends decided that for the mob scene in La Boheme, they could cobble together a costume for me out of bits and pieces of their costumes from other scenes. I got to be carried onstage by some big strong guy and had my first taste of the opera stage. It was magical and thrilling. I hope that there is some way for me to get in contact with some of the women and men who had so much fun back then. I'm sure that they missed the Happy Louise, too. I think that she really did love having me there.
Rod, who helped me with the digitizing of the photos, remarked about how much I grew in one year. Yeah, this is true. Here we are in 1961 in our costumes for Boris Gudonov. This was the year that I got to do so many bit parts as an extra. This one was for the big tableau with the Royal Family and all of the poor peasants. I remember standing way up on a platform on Stage Left, waving at the crowd. This photo was at the SF Opera House. She got me into the Supernumerary program that year. I remember the strange little man who herded the cats known as Supers. He had a life sized doll who was his little girl. Kind of creepy, now that I think of it but these were Show People. :o)
Gosh, I remember taking the bus from Oakland over to the City when Mom was already in rehearsal and getting myself to the Opera House after school. Who does that these days? No one, I imagine. The world is a different place, to be sure.
Here she is in a fabulous costume in what was probably one of the last season's in LA. This costume was for Die Fledermous. Notice the big crate of stuff behind her? This is how the show went on the road back then. She was so glamorous, wasn't she? This is how I am choosing to remember my mother.
We had a long haul and a lot of hard times. She was so unhappy for so many years and I can't put my finger on when it all happened but I am just so glad that this is all over. She can be where there is no unhappiness or pain...just love. This life was a struggle with some very exciting and wonderful times. She was so talented and her voice students loved her because she gave them so much advice as well as vocal help. I remember telling her that she was half counselor and these folks were getting quite the bargain in her. It broke my heart when she began failing and I know now that she had been quite ill for a long time. She hid her oncoming blindness and could not hide her body changing, which is why I think that she stayed away from the Opera crowd over the years. I am sorry for that because I think that down deep, she missed those people and that life. There was a savage chorus master who changed the whole feeling at the Opera House, making the veterans feel old and ugly. Mom stood up to it for a long time but in the end, quit.
It is ironic that she and I quit the "music business" the same year. I was getting "too old" at 30 to keep trying to be a Rock Star and at 55, she was feeling too old for the physical beating that her body took on that stage.
I wish that her final years had not been so unhappy. She just wanted to rest and my step-dad was worried about her, always thinking that she would go before him, even though he was 12 years her senior. He made me promise to take care of her and of course, I did. I did as long as I could and then I got help from others, at the end. She and I came to an understanding, I think. There was one day, before her stroke, when she looked at Rod and me in a sad way. She said that she had been waking up in the night, worried about how she had treated people and that she was so sorry for being the way that she was. That was a huge gift. I told her that I forgave her and that all of those that she thinks that she needed forgiveness from were already on the Other Side, waiting to love her.
When I got one particular note yesterday, about the phone call being from Mom, I of course thought about it later that morning and felt this rip in my heart, worrying that I had NOT been a good enough daughter to her. I was alone in the dye room and just began sobbing. I had to get it all out and say out loud, "I forgive you and I know that you did the best that you could". It was cathartic but wore me right out. I thought for sure that I was going to get sick and then...we cut to scene one of this essay. I took a HOT shower, dressed and put on make-up, took Happy Holly in my pocket to my daughter's house, showing up in my light-up silly Christmas Hat.
It is going to be just fine. Bye bye, Mama, bye bye. I love you.




